When the film was released, it received middling reviews from critics and an unspectacular $70 million at the box office, about half of what Hemsworth’s latest film, Thor: Love and Thunder, made in one weekend. So why is this recent, but mostly forgotten film getting heavy play on the streaming giant? Because of its star. It seems that whenever a new film is cleaning up at the box office, Netflix users are hungry to keep consuming content from that film’s lead actor(s). The same thing happened recently when Top Gun: Maverick soared to number one at the box office; film lovers at home were hungry to keep consuming Tom Cruise movies, sending Mission: Impossible – Ghost Protocol to the top of Netflix’s most-watched list. If your name is in the zeitgeist, your films will get more play on Netflix. That’s not the most difficult thing to figure out. Logically, it tracks, but why exactly is 12 Strong doing numbers when Hemsworth has a new Netflix original film, Spiderhead, available as well as films like Extraction, Michael Mann’s Blackhat, and Ron Howard’s F1 biopic Rush? That’s a little more difficult to parse. Critics, including our own, were right with their generally less than favorable reviews for 12 Strong. For the most part, it’s a by the numbers war film. There are some great performances by Michael Peña, Shannon, and Negahban, but Hemsworth’s standard action lead doesn’t leave an impression, inviting comparisons to Chris Pratt’s more lifeless action performances. Rob Riggle, who has some real-life experience in the armed services, brings some aggro-authenticity to early scenes in the film, and Taylor Sheridan, who is more known these days as a writer, director, and mastermind behind Paramount’s hit series Yellowstone, appears in a brief, but memorable role. Still, the film takes a formulaic approach to Nelson and Dostum clashing, then learning to work together, and though there’s plenty of explosions and fire fights to keep the pace of the film up, there’s nothing special about the way any of the action scenes are shot or framed. Worst of all, the film takes an uncritical approach to the United States’ presence in Afghanistan, failing to use hindsight to deliver a deeper message about war and military occupation. One would be led to believe by the film’s storytelling that the war in Afghanistan concluded shortly after the 595’s triumph. It really seems like Hemsworth’s cultural moment, being the star of one of the highest grossing films of the summer, is the only thing driving this film’s belated success on Netflix. Collaborators of other MCU mainstays must be hoping that their old projects will be the next to see this bump on Netflix. If you worked with a cash cow in the past, then your movie just may get a second wind too.
