“If I don’t get it, I’m going to fucking come back and do one again that is so bad on purpose just to make you all pay,” he said. “That’s how I get them.” Despite such tongue-in-cheek fist-shaking from Sandler, everyone perked up a bit when Netflix announced that its next feature film project with the comedian, Hubie Halloween, would be coming to streaming before the end of the year. Sadly, if there were a grain of truth to Sandler’s threat, Hubie Halloween isn’t The One – the film had wrapped months before his remark – but there’s an element of genius to his comments. If we even casually entertained the notion that one of his upcoming movies could be deliberately bad (which would imply that some the other ones were simply bad accidentally) our expectations might be further toward rock bottom, greasing us up for an unexpected surprise. The truth is, most of us have been riding The Unexpectedly Surprised Rollercoaster with Adam Sandler for decades, but while it’s fairly respectable to be on board with stuff like Uncut Gems and Punch-Drunk Love, his broad comedies have more misses than hits, critically. Netflix has taken the rough with the smooth in its deal with Happy Madison Productions to date because those movies have been unquestionable hits for the streaming service, regardless. Last year’s middling but inoffensive comedy Murder Mystery even topped the list of its most-viewed titles. So here comes another one, this time with Sandler getting back to basics. Along the way, Hubie gets entangled with his age-appropriate crush since the 2nd grade, Violet Valentine (Julie Bowen), and her three foster children – the oldest of whom is played by Stranger Things star Noah Schnapp – and butts heads with a variety of dismissive local characters played by the likes of Ray Liotta, Tim Meadows, Maya Rudolph, Kevin James, and Michael Chiklis, all of whom appear to be having the time of their lives aboard another Happy Madison joint. There are also some other obligatory cameos scattered throughout the 102-minute running time. Without spoiling them: yes, he’s in it. Him too. And him. Sandler plays Hubie as a gentle character without a bad bone in his body, and at points he’s even held up as a kind of ‘turn the other cheek’ Christlike soul at the heart of Salem. The town, painted here as warm, wealthy, and inviting, regards its muddy history with almost the same joyful, store-bought cuteness as its children treat their makeshift Halloween costumes. Hubie is the descendant of a woman who spoke up against the Salem Witch Trials, and his commitment to keeping Halloween fun and wickedness-free is a reflection of that lingering bloodline. He has nothing but the purest love to offer those who view his Thermos-wielding eager beaver with darkness in their hearts. Despite this vaguely heart-warming approach to the innocence in Hubie, it’s still a little frustrating to see Sandler back to his old tricks again in front of the camera, muttering with an aggressive underbite and helping to dish out piss and fart jokes by the dozen so soon after proving how versatile he can be when working with talented indie filmmakers. The disappointment is compounded when so many of the jokes in Hubie Halloween fail to even land – and a bunch of them are running jokes that we have to see die on screen repeatedly. On a sliding scale of Netflix’s Sandler films, Hubie Halloween sits somewhere in the middle. It’s not anywhere near as painful as The Ridiculous 6, but it isn’t as weirdly soothing as Murder Mystery, either. There are a few twists and a couple of laughs, and there’s a decent amount of Netflix money splashed on the screen, so technically it’s not a badly made film. Though it plays with certain horror tropes, like jump scares and mask-wearing psychos, it’s also aimed at younger viewers – you could probably leave your tween-and-above kids in front of it and crack on with something else with very little to worry about while you’re gone. Your little one randomly saying “shit” or “boner” in the days that follow is arguably a preferable consequence to being asked the question “can we watch MORE Kevin James movies?” at any rate.
